Now Available: Black Orchid Night!

Black Orchid Night Cover

H.T. Manogue’s latest novel, Black Orchid Night, is now available! Don’t miss this intriguing narrative of one woman’s quest to link the people in her life to the very familiar — yet very different — people who appear in her active and vivid dream world!

For more information, click here: Black Orchid Night by H.T. Manogue

Coming soon … Black Orchid Night by H.T. Manogue

A dreamy kind of novel …

Black Orchid Night Cover

Fiona Mistry was born into a racially mixed family in England. Although her father was from India, she had her mother’s English skin with a touch of color. Fiona discovered her ability to dream lucidly at age 18 after the death of her mother. The first dreams she vividly remembered were dreams about her orchids. But as she aged, her dreams changed.

One night while dreaming, she found herself in a bar in downtown Nashville. When she looked into the mirror behind the bar, the face looking back wasn’t her own. It was the face of an African-American woman dressed in 1940s fashion, but she knew she was looking at herself. As her dreams continue, Fiona realizes that she and the man she loves are living as African-Americans before WWII, and all the people in the bar are people she knows or had known in her waking world.

Black Orchid Night is the story of Fiona, her loves, and her dream world. She begins to ask herself questions like: Where do we go at night while dreaming? Are our dreams as real as our waking life, and when we dream, who are we? Do we see others we know in our present lives, or are there visions that seem familiar, but aren’t? Is something going on while we sleep that goes beyond random thought, and if so, what is the purpose?

Fiona slowly discovers the answers with the help of her therapist and all the people in the Black Orchid Bar.

Kitchen Window People: A Kitchen Table Creation

I recently had the joy of collaborating with the fabulously talented artist Estella Camelion on “Kitchen Window People,” her first art  book (and mine!). What a lovely journey for both of us! Estella has been creating amazing art work for decades and was eager to collate some of her works into a book. I was eager to diversify my editing work into additional genres. And working with a talented artist? Sign me up!

Estella and I met at a conference a few months ago, and our booths were across from each other. We hit it off immediately. She asked me to help her with her art book so it would be ready in time for a major show she was invited to in Nashville, and I was delighted!

The book’s tkitchen window peopleitle is “Kitchen Window People,” and the process of creating the book actually took place around her kitchen table! I made several trips to her amazing 1901 farmhouse in rural Alabama, where we collaborated on putting this stunning book together among a lot of brainstorming, giggles, and perhaps a few jaunts through her lovely farm full of blueberries, figs, peaches, apples, glorious flowers and stately trees. ‘The Professor’ — her soulmate — joined the effort with his great technological experience and good ideas.

Estella had a vision for her book – an essential for any good author. She’d selected the cover of her book (above, left) — a very canny choice, given the book’s spiritual (but not religious) contents. I helped her develop a system for organizing the zillions of possible of art pieces to include in the book and worked on a significant portion of the writing.

As we sat around her kitchen table, something  magic happened: We talked. We brainstormed face to face. We played with the possibilities. We weren’t creating a book by e-mail or Skype or texts or electronically shared files. In terms of the editing and collaboration process, “Kitchen Window People” was a kitchen table book, created in an atmosphere of eye contact, genuine camaraderie, laughter and mutual joy and excitement. (And yes, no book would be complete without its fair share of frustration — but there wasn’t much of that with this one!) Estella and I formed an immediate connection from our first meeting at the conference where we met, and it soared in our collaboration. At times, we found each other saying exactly what the other was thinking; sometimes, we sputtered our identical ideas at the same time. Almost always, it felt like this book and Estella’s art  work, along with my words and coaching, created a sort of energetic thread that connected us to each other and to the work — like we were channeling through the art with synchronicity.

It’s practically impossible to collaborate on a book nowadays without technology playing an overwhelming and sometimes even intrusive role. All the work I do for my clients is truly inspiring, but this project was unique. How often do collaborators sit at a kitchen table, work tirelessly for hours (days? weeks?), laugh loudly, and now and then, slip out to pop a few freshly ripened, dew-dropped blueberries into our mouths and get back to work? Short of a few phone calls, that’s basically how Estella and I collaborated on “Kitchen Window People.”

Around the kitche20140715_165826n table — and occasionally, with a few telephone calls — Estella allowed me to help her create a book that awes me. Beautiful, spiritual, heartfelt, joyous, thought-provoking, insightful, powerful and deep, working on this book and in her presence fed my soul.

Deadline was very much on our minds, but it wasn’t the ultimate driver in an incredible outcome. We decided to use few words in the book and let the art do most of the talking to its readers, because the art will speak differently to each person. Estella’s work will resonate with its readers from their own perspectives, but her observations in the book give us a glimpse of how her drawings (and her subjects) spoke to her. (Note the working copy of Estella’s art work to the left. She summarizes the message that this particular work speaks to her in the note tag below it: “This mother holds two gifts, and she is having a moment of reflection. One gift is not awake yet.” ) Which of the reader’s gifts is not awake yet?

This experience reminds me that technology, while imperative to creating an amazing literary work, may not be as non-negotiable or efficient as we often trick ourselves into believing. None of Estella’s images are computer generated — she drew the pictures herself, and her soulmate simply scanned them with no tweaks, editing or enhancements. As technology becomes more and more important in self-publishing, let’s not forget the joy — the kitchen table joy — of creating all of our art with love and laughter.

Estella and I spoke by phone on Saturday. We laughed and laughed. Yeah, we talked about the book. But most of all, we talked about the joy. I didn’t tell Estella, but I sometimes  wonder if the joy makes the book. Not the other way around.

For more information about “Kitchen Window People,” visit http://tinyurl.com/ljesjab. Please also see the “Kitchen Window People” page on this blog for more information on the back story of of this book.

Fun! Hot! Video Trailer for “Legal Briefs,” N.M. Silber’s New Amazon Best Seller!

You can’t watch it without smiling!

 

 

A Teenager’s Case Against E-Readers

I have a really special teen in my life: “M.” — a smart, cute, witty, popular, avid reader and a deep thinker. She’s in 10th grade at an urban American public school. M. has some very strong opinions about e-readers — rather unconventional opinions for natives of the Digital Age. I’ve asked her to share her thoughts on e-readers as a guest blogger, and she graciously agreed (and even researched!). With great pride, I present M.’s guest post, unedited, written in her own words. Read, think and feel free to judiciously respond in the comment bubble above. Enjoy! Thanks, “M.”!

Em blog photo

Do eReaders Equal No Readers?

            Throughout the past three or so years, eReaders have become the new “thing.” They have become increasingly popular, and more and more people are jumping on their band wagon. With the increasing of electronic books, what does the future hold for the traditional paperback? Electronic readers like the Kindle, Nook, and Tablet affect the economy, are distractions, have functional set-backs, are negative on the environment and travel, and have many other problems as well.

The increase of electronic readers negatively impacts the American economy. The surge of online books has lead to the closing of many local bookshops and the long-running book power-house, Borders. When these books stores were forcedly closed, thousands of Americans lost their jobs. Unemployment rates shot up, which made the problem of our recession even worse. Also, our once-American employees have been replaced by outsourced workers from third and second world countries. Now most of the money gained from American books is replaced by money that has to be sent to lower world countries to pay for production. With that being said, the American economy does not even gain much of a profit from the best-selling eReaders.

One thing E-readers are fantastic at is being distracting. Most people I know do not even use them to read, instead the three hundred or so dollars spent on electric readers goes towards children playing apps. The touch screen and internet features of E-readers provide an outlet for owners to not read, but to spend more time on Facebook or Candy Crush. Most electronic readers are being compared to Ipads, whose primary function is entertainment, when they should be compared to other eReaders. The comparison of I-products and electronic readers increases the public’s view of eReaders being used for entertainment, not books. Finally, many people bring their Kindle Fires to school and pretend to read in class, when they are actually on in the internet or playing games. This new distraction is causing our next generation of leaders to not succeed as much in school, because more time is spent playing games than learning.

There are also functional set-backs with items like Continue reading

How to Maximize a Book Festival Appearance: 9 Tips

bookfestivalphoto

Don’t sit. Bring posters of your book cover. Stand your books upright. Draw a crowd. And more! Great tips for maximizing your promotional impact and sales at book festivals.

How to Maximize a Book Festival Appearance: 9 Tips.

Some Personal Lessons From “Probabililty Chain”

Probability Chain Pt1 photo        When Regan Keeter offered me a review copy of Part 1 of his novel “Probability Chain,” I did what I usually do when I’m offered an ARC: I accepted. (I rarely turn down free books unless I know there’s no chance I’ll read them.)

I recently wrote about cliffhangers and how indie lit readers seem to have an angry mob mentality about them as a literary device, despite irrefutable evidence of cliffhangers’ recurrent success in pop culture and classics – and in multiple media: TV, film, books, video games, et al. And I expressed fear that great indie writers, their work, and our collective ability to nurture future generations of critical thinkers are threatened by the current mob-minded trendiness of attacking cliffhanger-based books.

I was especially eager to read “Probability Chain” because I was so intrigued with Keeter’s risky format for his work. “Probability Chain” is a serial novel. Basically, you buy the novel in pieces. My review copy was eight chapters and 92 pages in hard copy format. Kindle downloads are 99 cents; hard copies are priced a bit higher.

I love the way Keeter’s serial model celebrates the cliffhanger. When I finished Part 1, I was invested and ready to read Part 2 (which isn’t available yet – Part 1 was just released in September). I say, “Great! Leave me hanging!” And I mean it!

In the world of indie lit, we’re all taking chances and experimenting with what works and what doesn’t. I talked to Regan by phone, and he explained that his serial novel approach is an experiment. He’s trying to find the model that works in his own niche of indie lit. I think that’s brave and necessary. We’re all trying to find a silver bullet in this new age of indie publishing. Indie authors are pioneers! Continue reading